Year and Month | 07-Jan-2018 |
Number of Days | One |
Crew | 02 |
Accommodation | N/A |
Transport | Motor Bicycle |
Activities | Visiting, Archaeology, Worshiping, Historical info collecting |
Weather | Good |
Route | Ja-Ela -> Ganemulla -> Yagoda -> Mudungoda -> Wathurugama Road -> Pilikuttuwa Rajamaha Viharaya -> Yakkala-Radawana Road -> Nelligahamula -> Warana Road -> Warana Rajamaha Viharaya |
Tips, Notes and Special remark |
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Related Resources | None |
Author | Ranshan Fernando |
Comments | Discuss this trip report, provide feedback or make suggestions at Lakdasun Forum on the thread
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Varana Rajamaha Viharaya – වාරණ රජමහා විහාරය
It was one of those glorious early mornings, and as we reached the Caves of Varana Rajamaha Viharaya, the first rays of the sun were lighting it up, highlighting its peculiar formation. The paddy fields around it were glowing green after the rains and from its flat plains rose a splendid but modest rocky outcrop. At the bottom of the rock facing the road was a cave with an impressively high drip ledge cut high on its brow. This was enough of a landmark that we had arrived at the Varana Raja Maha Vihara.
The Varana Rajamaha Viharaya can be reached by turning right at the Tihariya junction on the Colombo- Kandy road. The temple itself is vast and is built on three different levels (maluwas) with shrine rooms on each and a small dagoba at the summit. On the way to the Meda maluwa is a rock pool full of fish and at the summit on a slight descent is another. The view from the top is rewarding with endless paddy fields forming a foreground to other neighboring rocks, and a horizon filled with blue-gray hills.
The rock cut steps to the summit pass through luxurious tropical vegetation of tall trees bushes and creepers. There seemed to be a number of caves scattered around in the area with their unusually high drip-ledged brows distinguishing these caves. Many showed traces of wattle and daub walls built between the ground and the rock roof, which is evidence of their being inhabited in early times. The rock formations were delightful. The surface of the overhanging rock sometimes strangely resembled vertical waves. It was as if an unknown sculptor had painstakingly chiselled its design and oddly reminding me of the soft ripples of a marshmallow topping.
I wondered how the name Varana had come about to indicate this awesome rock scape, and was told that it appeared to be the combination of two members “va” and “arena”. Va being a kind of tree not known to us today, and Arana evidently meant forest. Hence the meaning – forest of Va Trees. But typically and so delightfully this is only just one of the legends of the area. Varana had first come into existence as a meditation centre for the Sangha and its origins date back to the time of King Devanampiya Tissa of Anuradhapura, during whose reign Arahat Mahinda visited Lanka to preach the Buddhist doctrine. A stone inscription found here believed to be written in Asokan script reads that: This is donated to Tissa Dhatta Thero, the brother of Majjhima Thero. Tissa Dhatta Therro was the first pupil of the Venerable Mahinda. It is of Varana again we hear, amongst many others, that King Valagamba chose to hide, when he was fleeing to escape the Cholan marauders.
It is believed that during his stay here he caused the construction of the drip ledges on every rock where there was a habitable cave. When King Valagamba regained the kingdom, in a gesture of gratitude, he built a shrine at every place that had given him sanctuary, and that included Varana. As such it is believed that he placed a statue of the Buddha in the largest cave at Varana, and transformed it into a small shrine room. Again we hear of Varana during the reign of King Parakrama Bahu VI of Kotte. It is said that he re decorated the Varana shrine adding the statue of God Vishnu, the statue of the Bodhisattva, statues of numerous Buddhas and the walls were painted depicting episodes from the Jathaka stories. An eighteen-foot reclining statue of the Lord Buddha was constructed inside the main shrine room of the Varana temple. And it is said that the King and Queen came personally to offer the first flowers to the image. The King also gifted by royal edict vast sprawling acres of highland and paddy fields for the maintenance of the Sangha. The venerable Kahambiliye Sendipperumere was given the incumbency of the Vihare.
During the distressing reign of King Rajasinghe of Sithawaka when Buddhist monks were persecuted the monks at Varana like everywhere else fell on bad times and had to flee their abode, until once again in the reign of King Kirthi Sri Rajasinghe of Kandy, when we hear of the Varana temple. Varana is also famous for its historical association with treasure buried in its precincts, and many are the stories that are related of it. Varana today is a stunning rock gallery set in the splendor of the Siyane Korale, a place of worship, a setting of tranquility, a feast to the eye and a buffet for the photographer in you.
Daily Mirror
Varana is a famous rock temple in Sri Lanka. The main building of the temple is situated in a cave. Most of the paintings on the rock belong to the king Walagambahu period of Anuradhapura civilization. Brahmin scripts belong to 3rd B.C. are found in the temple’s inscriptions. The following tourist attractions are important in the premises.
- Ruins of five storied building of 3 B.C
- Ruins of moon stone
- Stone door frames
- Carved rock scripts
Source – Amazing Lanka
Pilikuththuwa Raja Maha Viharaya – පිලිකුත්තුව රජමහා විහාරය
Pilikuththuwa, if you have heard of that name before is full of pleasant surprises. Quite apart from being a virtual paradise for the nature lover, with dramatic rock formations and a wilderness filled with nature’s finest art, its origins can be traced back to pre historic times.
Pilikuththuwa Raja Maha Viharaya , set in idyllic surroundings, is the best place to begin an adventurous day . We were there at 7.00 am. When we parked our vehicle under some coconut trees, the unsullied morning environs were filled with soft sweet bird calls.
It is believed that the Pilikuththuwa cave complex includes some 99 caves spread over an area of about 200 acres. The caves are cut with distinct drip ledges to prevent rainwater from falling into the interior, which, to some extent, is proof of their one time habitation, 77 of these have been identified and their numbers are marked on each cave.
As indicated by archaeological excavations carried out in this area, there is evidence that Pilikuththuwa was inhabited during prehistoric times.
Three rock inscriptions have also been found cut on the drip ledges of three of these caves and have been dated to the pre-Christian era. The letters have been recognized as Brahmi characters
At the entrance of the temple, we were greeted by an ancient square pond which was bereft of water. Here we met Sunil who was sweeping the temple garden and who gladly agreed to show us around. Later he was joined by Anura and Kaluhami the dog. Passing this we could see a Bodhiya and the Vihara Lena which housed the image house and the Chaithiya Lena under which stood a small dagoba.
A fascinating rock placing made a striking setting for the Vihara Lena and the adjoining dagoba. Some large precipitous rocks rose high and leaned precariously in sheer drama while a tangle of foliage and creepers made an amazing backdrop.
According to scholars, it is possible that the Vihara Lena was originally used by meditating monks and was later converted into an image house during the Kandy period and further improved in the Kotte period.
Anura opened the door of the image house for us.
A unique painting of two Portuguese soldiers some 4 feet tall, appeared to guard the entrance to the shrine room, replacing the traditional doratupala figures. This was just one example found here indicating that though the original paintings belonged to the Kandy period the complex had from time to time been influenced by the subsequent periods, even the Portuguese and the Dutch.
Read more -> Amazing Lanka
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